After Barry and I were married in Philadelphia in January 1973 we took off on a road trip in my sister Dianna’s VW Beetle. Our first stop was the newly opened Disneyworld in Orlando, Florida. Barry was shooting for a popular Irish magazine and we were granted an insider’s tour of the property including the fascinating underground world where all the magic began. Situated in the huge wasteland that was Central Florida, the park consisted only of the Magic Kingdom – but with the promise of much more to come.
About an hour from Rome in a sparsely populated area (similar to Central Florida pre-Disney) sits the Museo Piana delle Orme. This park/museum covering over 25,000 square metres reminded us of that early Disneyworld but without the magic, the music, and the familiar cartoon characters. What then was the connection between these two places? Both were conceived by men with big dreams based on a single character – just replace Mickey Mouse with Mussolini.
The Museo consists of two sections each containing at least a dozen huge pavilions It is estimated that this collection includes close to 50,000 objects. It was put together by a wealthy farming contractor over a period of 30 years and is maintained by a private foundation. This incredible place attracts few visitors but those who make the trek are rewarded with one of the most diverse and fascinating exhibits in one place anywhere in the world.
We started with a walk through pavilions containing impressive displays of vintage farm equipment and toys. Although we weren’t able to determine exactly why the farm equipment and the toys were shown in the same pavilions, the fact that all of the items on display were classified as “vintage” was reason enough for us. But this wasn’t why we were here. We were looking for Mussolini – the star of the show.
The reward cane next when we stepped into pavilion after pavilion of full-size, live-action dioramas characterising life in Italy’s Lazio region where the Museo is located. All of this was reminiscent of Disneyworld’s original Pirates of the Caribbean – in the pre- “politically correct” days – when the characters actually fired their weapons, chased women and pillaged villages.
The displays chronicled the programs proposed and implemented by Mussolini to drain the Pontine marshes, reclaim the land, and establish new cities and homesteads.
At the conclusion of the reclamation project Mussolini’s government moved 2000 families (most of them Fascist supporters from northern Italy) into newly built two-story country houses, many of which are still occupied today. The reclamation program was often used for propaganda purposes with Mussolini being photographed with a shovel in his hand or thrashing wheat at harvest time. 
One of the most dramatic displays depicts an Italian farm family sitting around a table listening to the radio as Mussolini announces that Italy was joining Germany and the Axis.
The pavilions on the opposite side of the property house one of the largest private collections of military vehicles actually used during World War II. Here too life-sized dioramas depict scenes featuring Italian, German and American soldiers in battles in Italy and North Africa including the interiors of a German bunker and an American field hospital. Sound and visual effects accompany re-creations of the Allied landing at Anzio and fighting in the desert at El Alamein.
Like Disneyworld, shopping is a must at Mussolini-land. The last pavilion we walked through was a gigantic superstore of military paraphernalia including World War II uniforms, military issue weapons, clothing, supplies and souvenirs of every possible configuration. Talk about a kid in a candy store. Barry wandered around as if in a trance – no plastic swords or muskets here – this stuff was all real.
As we sat at a large wooden table enjoying a traditional Italian picnic lunch, our school group contemplated all that we had experienced and lamented the fact that at so few people have enjoyed this fascinating place. We quickly came to the conclusion that it was wrong to try to compare the Museo Piana delle Orme with a theme park. After all, this was Italy where the magic comes from thousands of years of history and where reality is so much better than fantasy.







